![]() And best of all, we’ll be able to focus on getting great new features into your hands faster. After this initial integration phase, European users will see improved in-time-zone support. In the coming months we will transition our customer support, websites, and other infrastructure to Hedge. The next time your ScopeBox subscription renews, it will most likely come from a email address. Your current serials will continue to work. The applications will continue to be maintained and improved. Together we have big plans for EditReady and ScopeBox and how they can grow as stand alone apps while also benefiting from and strengthening the Hedge and Postlab workflows. The potential for both apps is larger than ever, and the added resources of Hedge will allow me to focus on what is most important – creating tools that simplify users’ workflows and allow video professionals to focus on the artistry of telling great stories. As we began discussing ways we might work together, it quickly became obvious I should join the team and roll EditReady and ScopeBox into Hedge’s offerings. Their clean and powerful apps and personal, responsive support are exactly what we’ve strived to achieve. Hedge has always stood out as an amazing team of like minded people. My soul searching quickly led to a conversation with Paul at Hedge. The pandemic highlighted how over-dependent the products are on my time and resources, and I began considering ways to improve their viability over the next 15 years. I’ve relocated from New York to Minneapolis and finally San Francisco. ![]() In that same time, the market has matured and workflows have changed. In that time, we’ve seen the rise and fall of competitors spun an in house test harness into the immensely popular ClipWrap rode the transition from AVCHD to DSLRs, professional tapeless workflows, and RAW with EditReady and even made a short lived javascript video delivery codec (anyone remember Phosphor?). I retired from video editing 15 years ago to begin development on ScopeBox (check out this dated website !), and it’s been a wild ride ever since. In addition, Colin and I will be joining the team to continue development on both apps, as well as looking for ways to make the suite even more powerful and seamless. And now our users can begin working with XAVC-L from their PXW-X70 and PXW-FS7 footage on tools like Final Cut Pro 7, Final Cut Pro X, and more.I’m excited to announce that EditReady and ScopeBox have been acquired by Hedge, becoming part of their amazing collection of video production software. It wasn’t easy, but it shows just how powerful the EditReady technology is. The result is that we were able to ship EditReady 1.1.3 relatively quickly after deciding on this approach. This is a program I used often when I was a staff editor and would receive. Fortunately the EditReady OpenCL backend can handle these types of conversions very efficiently. mxf files prores, so they run smoother in Adobe Premiere or other editing software. In addition, the FFmpeg project uses a completely different format for storing decompressed images, which isn’t supported by the Apple technologies. Adding another decoder to the mix means testing all the possible combinations of formats – for example, going from XAVC-L to DNxHD versus XAVC-L to ProRes will exercise the technology in very different ways. Behind the scenes, EditReady incorporates different encoder and decoder backends via a technology called XPC. This isn’t a project we undertook casually. EditReady Alternatives Products based on shared functionality, key features and benefits in the software category VideoPad by NCH Software 4.3 (99) Starting Price: 60. We took the step of incorporating a new H.264 decoder, thanks to the open source FFmpeg project. However, we really wanted to support the PXW-X70 and PXW-FS7, and we didn’t want to wait for Apple. Up until now, EditReady has been dependent on the same Apple frameworks used by Final Cut Pro X and many other tools. The intraframe codecs can’t do interframe, and the interframe codecs can’t do 10bit 4:2:2. If an editor already supports XAVC-I (the intraframe version) and an editor already supports other long GOP formats like AVCHD, why wouldn’t it support this new format? It turns out that the Mac OS X video framework has one set of codecs for intraframe H.264, and a separate set for interframe H.264. The quality from these cameras is pretty impressive, but early adopters quickly found that the files didn’t work with their existing editing applications like Final Cut Pro X. This efficient compression means these cameras can record 4:2:2 10-bit H.264 in the MXF format. The L in this case stands for “long GOP,” a compression technique that allows Sony to more efficiently encode the signal. Late last year, Sony released a set of cameras (The PXW-X70 and PXW-FS7) which record in a new format, XAVC-L.
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